(Warhammer 40k, search, attack, retreat, loot the gold, run and knife the rat, snipe the rat, hoard the rat.)

After the battle between the Imperial Planetary Defense Forces and the rebels, a large number of reports were scattered across the battlefield. Li Qinwu, who possessed the search, attack, and withdrawal system, began his own land grabbing business.

The laser gun of a fallen soldier? Take it, it fired level 3 ammo.

Shell armor? Take it! It's a level 4 armor.

Wow! The explosive pistol of the fallen political commissar! It fired level 5 rounds!

The destroyed Leman Rustamsk actually yielded a large gold tank battery!

Take them all back to the Underworld hideout! Sell them to various gang contacts to exchange for building materials and upgrade the hideout.

The hideout manufactures sophisticated machine guns and high-powered batteries. Wearing six sets of power armor, it launches a fierce attack on heretics on the battlefield, increases the Emperor's favorability, and ascends to the Golden Toilet!

Altaïr King was completely bewildered when he woke up to find himself transformed into a golden ear of corn in the Terran palace. It was common knowledge that being a member of the Imperial Guard was a high-risk profession. Especially in this dark and cruel future, the laughter of the evil gods was so piercing, and the claws of the aliens so menacing. Fate was capricious, cruel, and bloody, and he was now clad in radiant gold. He pondered whether he would end up being devoured by warp entities or roasted into popcorn by psionic energy, and then stepped out of his dark underground cell. The Imperial Guard was endangered, but not so easy to kill. Before facing his final fate, he still had a chance to begin his adventure. The burning galaxy was still far away, and the most serious problem this novice Imperial Guard now faced was—he was lost in the palace.

Near the Ghoul Sector in the northeastern part of the Milky Way, a Primarch Incubation Chamber crashed onto the planet Nostramore, a world of perpetual night. Conrad Kotz emerged from the dark crater onto the surface, arriving in the world of perpetual night. A destined fate of terror and darkness, an inescapable destiny of death! A slave to fate! The protagonist, Conrad Kotz, after a fragmented experience, witnesses a slight shift in his destiny, experiencing a rebirth from darkness to light, changing the world of perpetual night, rising like the sun!

Now, standing before you is Peturab Rurik Kislivsky, the Supreme Tsar of all Kisliv, the Iron Tyrant of Olympia, the Primarch of the Steel Warriors of the Fourth Legion of Astartes… If, if, if Peturab had not descended upon Olympia, but instead arrived in a Russian-style world and began his conquest there, what would have happened?

In the treacherous universe of Warhammer 40,000, how could there be no "YESYES"? So, to fill the void of the galaxy lacking rats, Lucius transformed into a black-robed Great Horned Rat and arrived in the galaxy, leading his hordes into this cruel galactic cesspool. From then on, the Devourer of the Great faced a group of equally hungry and formidable enemies; the Empire experienced what an endless sea of ​​people truly meant; the Necromancer discovered that the opposing rats also favored green weapons; and the Greenskins—Lucius declared, "Greenskins, we've fought our way from the Middle Ages to AOS all the way to 40,000! Let's see if you can handle the rats again!"

Warhammer, Conrad's Apocryphal Book

In that despairing fiftieth millennium, the tentacles of the Great Devourer had swept across the galaxy, the space necromancers had returned, the new Tau Empire had risen, and the shadow of chaos remained.

In that final battle, all of the emperor's loyal sons returned.

However, even with a demigod leading the empire, it was still defeated.

When the last human fell beside the Golden Throne, the Emperor rose in despair, and the Dark Lord brought end and death to everything in the galaxy.

The warp bears witness forever; the mournful cry of the Dark Lord's birth was carried along by the surging waves of the warp to the glorious years of the Great Crusade.

And Conrad Coates, the emperor's most far-sighted son, saw all of this.

This is the distant forty-first millennium. The emperor who once protected humanity has transformed into a cold, black sun. If no one can seize humanity's last chance for resurgence, then I will... make the galaxy burn once more!

He was transported to Warhammer 40k, but Shen Ping didn't cry like a jerk who'd had his toes stepped on.

Because his hanger is a bit too big.

A nascent virtual realm, omnipotent spiritual energy, a rudimentary yet highly efficient wish-granting panel.

"Darkness, despair, and a future where only war remains?"

"Then it's my turn to save everything!"

"To restore humanity's glory is our inescapable duty!"

Starting from this feudal planet, let's stir up the entire universe!

The author has already completed a two-million-word novel, a testament to their integrity. Time travel isn't unusual, but Trevor finds himself being watched by a barrage of comments after his own transmigration—and not just watched, but transmigrated again while being watched! This is a story about a protagonist forced to adventure under the watchful eyes of a barrage of comments. [Trevor, how did you transmigrate again?]... Trevor: "What's with this bunny girl from Resident Evil in front of me?"

[Building a space elevator is perfectly reasonable for a film like *The Wandering Earth*, right?] [Movie cutting-edge technology + *The Wandering Earth* + Film industry]

Having traveled to a parallel world, Liu Lang graduated from film school and obtained a film technology system, enabling him to create film and television works that could manifest in the real world.

Faced with the dominance of traffic stars and the decadent film and television industry under the fan economy, Liu Lang resolutely chose to shoot a science fiction film.

Starting with The Wandering Earth, he gradually built his science fiction universe.

When people questioned whether Chinese people could make good science fiction films, or even whether China had any fertile ground for science fiction films to survive.

A space elevator, reaching a height of 90,000 kilometers, appeared at Liu Lang's film shooting base.

"I'm a sci-fi film director. It's reasonable for me to create some high-tech movie props in order to pursue details, right?"

Faced with the arrival of the Dragon Kingdom Academy of Sciences and numerous high-ranking officials from the Strategic Administration, Liu Lang could only helplessly shrug and explain.

Along with the release of his works, cutting-edge technologies such as exoskeleton armor, heavy nuclear fusion planetary engines, and 550 series intelligent AI have also emerged.

China's technology also advanced by leaps and bounds, entering the interstellar era.