Kitano Ryuichi, a trainer, has no interest in things like heavy horse racing and the Shura Field. He has one immediate concern: his life is coming to an end. Having died young from a congenital disease before his time travel, Kitano, even if he traveled to the world of Uma Musume, would only live to the same age as before, suffering from excruciating pain. But Kitano simply cannot die. Furthermore, each time he dies, he is reborn in the next era of Uma Musume, repeating his life of illness for over twenty years. "Quack! You can't do this!" Kitano, overcome with grief, must escape this endlessly painful life! The only way Kitano can change his fate is to repeatedly force the Uma Musume to race. The more races he wins, the longer he lives! The more he hopes to improve his physique and become healthier! However, after traveling through countless episodes, Kitano, watching his subordinates, each with their "monopoly power," lose their luster and become hostile to each other, feels his heart sink. Please, don't do the heavy horse farm, just run the race. As a trainer, I just want to survive!

What is love?

Love is deeper than despair and more passionate than hope.

At the World Directing Competition, while everyone was pondering the meaning of love, Fang Yuan directly pulled out "Magic Circle".

What is a magical girl?

How did magical girls come about?

What is the fate of magical girls?

Fang Yuan redefined magical girls with Madoka Magica.

From then on, being a magical girl became a high-risk profession.

[Lighthearted + Slice of Life + Comedy + Anime Adaptation + Multiple Female Leads]

This is a police station in front of Kameyu Park in Katsushika Ward.

Here lives the ordinary, unassuming, gentle, and honest Yoichi Terai.

Akimoto Reiko has a strong personality and is gentle on the outside but tough on the inside.

Keiichi Nakagawa is tall, approachable, and possesses a gentlemanly demeanor.

Ryotsu Kankichi, a "concept god" with a strong physique, tenacious vitality, quick mind, and first-class money-making ability.

Daijiro Ohara, a hardworking, traditional, conservative, seemingly cold but actually warm-hearted, and highly capable director whose promotions are often delayed by Kankichi Ryotsu.

And then there's our protagonist, Takuma Sato.