Who says China doesn't have sci-fi films?

Wang Hao, fresh off watching "Wandering 2," was reincarnated and, in the blink of an eye, transported to 2005, a graduating student in the directing department of the Beijing Film Academy.

He then resolved to establish China's own sci-fi film industry, transforming and reimagining countless films and novels.

With "The Three-Body Problem" and "The Wandering Earth" at the core, starting with virtual reality, then adding exploration, confrontation, and aliens, and ultimately gazing at the stars, he has built a uniquely Chinese sci-fi cinematic universe, a true epic for Chinese filmmakers.

(He already has a million-word completed collection of his older books, so feel free to collect and invest.)

One day, Chu Shun—a shameless guy who would rather take off his pants than hang himself properly—crossed over to a parallel world. There, he acquired a system called the [Film Fund]. What’s it like to make movies without fearing a financial loss or needing investors?

“As a director, I never care about box office returns!”

So, Chu Shun pulled out Kill Bill. But because it was too bloody, it unsurprisingly failed to get the “Dragon Seal” (the film approval mark in China).

Very well. Kill Bill, which made $180 million at the box office on Earth, ended up as an online B-movie in the parallel world...

“I think there are three absurd things in this world.

First, bad people often live better lives than good ones.

Second, when you're in trouble, friends help without hesitation—yet when they're in trouble and ask you for money, you say they're not real friends.

Third, a whole crowd of you are standing here listening to me talk about the art of film.”

—Chu Shun, speaking at the American Film Academy.

Some of the works by "foreign trauma" director Chu Shun include:

Lord of War, The Hunt, Farewell My Concubine, The Legend of 1900, The Intouchables, City of God, Cinema Paradiso, Malèna, Dead Poets Society, and more.

Back to 1988, Lin Xiaozhi made movies, made blockbusters, became a theater dealer, became a movie tycoon, and created the Hollywood of the East. If a beautiful woman wants to become a big star, hehe, hurry up and throw herself into his arms! Reader group: 289530025, welcome to discuss the plot together. The author is in the group every day...

They say the forest is big, and all kinds of birds exist.

Wu Chen, a graduate from the Beijing Film Academy’s cinematography department, also wants to see what kinds of “birds” there are in this strange and colorful film industry.

...

Back at the beginning of the millennium, Zhang Yimou’s Hero had already become a huge hit nationwide, marking the arrival of the era of big-budget Chinese films.

Wu Chen, the “new generation leader” of the Beijing Film Academy’s cinematography department, is just starting from humble beginnings...

“In the domestic director circle, our cinematography department is the one that really calls the shots...” Wu Chen said so.

With works that have already exceeded 10,000 subscriptions and are fully completed, quality guaranteed—feel free to read!

Song Ci travels back to the past and becomes neighbors with a future top celebrity female star.

Over ten years, he builds a vast business empire.

Quietly, what changes will he bring to the entertainment industry and this world?

Back in 1995, when cars were far away and horses were slow, Wu Yuchen just wanted to be a little famous, make a little money, and fall in love.

"Director Wu, someone reported that you had an inappropriate relationship with an actress on the set."

“How can you accuse someone of innocence out of thin air!

Can it be called unfair when it comes to art? ! "

Everything started with the first pot of gold from Jia Zhangke, the great international director.