Transmigrated back to that passionate era, I became a truck driver.

...

Why did Foolish Zhu—the original "simp"—nearly die without an heir?

Did Qin Huairu and the First Elder actually have an improper relationship?

Whose child is Banggeng really?

Why did He Yushui repeatedly betray her own brother?

What happened to humanity? Where did morality go?

(This is a tale of human distortion and moral collapse!)

After traveling through time, he still traveled back to the courtyard world where animals were everywhere, and Yang Weibiao felt a little headache. Especially when he became a sixth-level blacksmith at a young age, he became a favorite among some vampires. ...

【Technology boss + Wrangler + system + mild hostility】

Li Aiguo traveled through time and space to live in a courtyard house full of love. Both of his parents were martyrs and he had a good family background.

In 1960, after graduating with a Ph.D. from Harbin Institute of Technology, he returned to Siheyuan to activate the emotional value system. He could collect the emotional values ​​of the characters in the story, use them to improve his skills, exchange them for various technologies, and take off from then on!

Ready to give wings to the technological development of the motherland, but the first thing Li Aiguo has to face is the beasts in the yard.

From then on, Li Aiguo lived a simple life of building the motherland while amusing animals. With a few female confidants, his life was simply wonderful!

Gao Zhendong transmigrates into the world of Siheyuan (The Courtyard). As a newcomer to the quadrangle compound, he boasts an impeccable background: an exemplar of revolutionary pedigree, physically robust, strikingly handsome, and battle-hardened from military service where he earned repeated merits. With advanced university education, technical expertise, ample funds, and a system at his disposal, he possesses both the wisdom of his past life and the system's guaranteed resources—occasionally enhanced by futuristic insights from lucky draws.

Rejecting trivial pursuits and petty squabbles over trifles, he aspires to contribute meaningfully in this zealous and vibrant era. At the very least, he wishes to declare in his twilight years: "These two lifetimes have been worthwhile."

Forty-nine cities and large courtyards, children and wives are on the hot bed.

Large pots, small pots, stir-fry, fry, stew and stew.

He Yu traveled through time and became He Yuzhu, from a cook in a factory canteen to the God of Cooking in Forty-Nine City.

He and his wife Wen Li have gone through ups and downs in the changing seasons for fifty years.

Times are tough for everyone, right? But I believe if I just tend to my little farm casually every day, I can definitely strike it rich!

Qin Huairu: "I need to borrow rice, oil, or flour – feeding three kids is just too hard!"

Wu Kui: "The exit's to your right. Don't let the door hit you on the way out!"

Second Elder: "Becoming an official is real success! What are you showing off with your few coins?"

Wu Kui: "Some people wish they had something to show off."

Third Elder: "You're so wealthy now, surely treating us to your wedding feast isn't too much to ask!"

Wu Kui: "Guests here to celebrate are welcome. Free-loaders can get lost. I'm no saint, and I'm certainly no savior. I mind my own business – got it?"

(System space) (Many women) (More daily) (No plots like grabbing houses at the beginning.) (Cao thief) (Take Qin and don't be sucked.) (Group portrait!)

The protagonist’s surname is Chen and his name is Jian’an, the Jian’an with the character of Jian’an.

Yi Zhonghai: I just want to enjoy my retirement, you hooked me into a black bass?

Liu Haizhong: Jian'an, do you think the second uncle has the qualities to be an official?

Xu Damao: How can I live without you, Moth? It hurts! It hurts so much.

Sha Zhu: A wife, children and a warm bed are what I wish for in my life.

Liu Minghui went back to 1957. In that era when material life was not very abundant, he successfully became a worker in a steel rolling mill and lived in a courtyard house by relying on the abundant space and materials.

It mainly tells the story of Liu Minghui's daily life in the steel rolling mill and the courtyard, with little violence.