第1章 穿越和世界近代史

Time travel and modern world history

This is the best of times! Japanese anime is filled with the restlessness of the era, devoid of any emotional resonance. There's no *Hikaru no Go*, no *Detective Conan*, no *One Piece*, no *Dragon Ball*, and certainly no *Naruto*. Those works that once swept the light novel world haven't appeared yet: no *Sword Art Online*, no *The Melancholy of Haruhi Suzumiya* series, no *A Certain Magical Index*, and certainly no *Monogatari* series. Not to mention those visual novels that swept the ACG world—Key's four masterpieces, Feng's *Sky Trilogy*, Type-Moon's *Tsukihime* and *Fate*, *White Album*… Instead, there are other excellent works. Just as Yiqing was about to build a two-dimensional empire… Eek! Kirino Kousaka, Mashiro Shiina, Utaha Kasumigaoka, Umaru Doma, μ's… how did you all suddenly appear out of the two-dimensional world?! What! This world is the two-dimensional world?!

这是一个最好的时代！日本动漫作品之中充斥着时代的暴躁，毫无感动，没有《棋魂》、没有《名侦探柯南》、没有《海贼王》、没有《龙珠》、更没有《火影忍者》。那些曾经在轻小说界掀起狂潮的作品还未出现，没有《刀剑神域》、没有《凉宫春日系列》、没有《魔法禁书目录》、更没有《物语系列》。更别说那些红遍ACG圈子的Gal游戏，key社的四神作、feng社的空之三部曲、型月系列的月姬和Fate、白色相簿……取而代之的，是另外一些优秀的作品。就在伊青要打造二次元帝国时…噫！高坂桐乃、椎名真白、霞之丘诗羽、土间埋、μs组合……你们怎么从二次元中蹦出来了？什么！这个世界就是二次元！？