An obscure, unknown director is reborn at the end of 1999.
At first, he just wanted to make a movie and seriously make money, but he didn't expect that the female celebrities were so eager to improve their careers...
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Boss Yang: "I'm willing to play the female lead for Lin Qixian free of charge, helping him carry on the legacy of Cao Cao." Liu Sisi: "Upstairs, I was here first!" Liu Tianxian: "You give me the role, and I'll repay you with my body, isn't that too much to ask?" Netizen: "Lin, you old dog, the hatred for stealing my wife is irreconcilable, why aren't you making a movie yet?!"... Lin Qixian transmigrates to a parallel world, becoming a senior student in the directing department of Beijing Film Academy. He awakens a top-tier special effects production system! What? There's no concept of special effects blockbusters here? What? Hollywood in this world only makes cheap special effects? Fine, I'll start with an "Iron Man" movie to open up the audience's eyes.
In the Heisei era, as people gathered outside the bookstore, fervent fans, clutching the latest issue of Weekly Shonen Jump, debated the iconic figure of the brilliant Showa era. "Takehiko Inoue, who ignited a basketball craze across Asia; *Slam Dunk* influenced an entire generation." "For mainstream success, it has to be Akira Toriyama, the pinnacle of shonen manga, who created *Dragon Ball*." "This topic can't forget Tsukasa Hojo, a representative of realistic manga; *Cat's Eye* and *City Hunter* pioneered the 'urban thief' genre..." "Then... what should this person be considered?" A young boy timidly raised his hand, pointing to the man on the bookstore wall poster. Suddenly, thunder roared, and in an instant, dark clouds blanketed the earth... Everyone looked on in astonishment. The bookstore owner stepped out, gazing at the gloomy sky: "That's the shadow that looms over the entire Showa era!" Eiichiro Oda's close friend, Masashi Kishimoto's mentor, a new generation of manga god comparable to Osamu Tezuka—Satoru Akiyama! —Save money version: Reborn in the bubble era of 1994, starting as an apprentice, I gradually became a top comic artist and even a leader in ACG culture worldwide, beginning with "Young Magazine".
Olympic 100-meter champion, world record holder. The world's highest-paid director, owner of the world's largest entertainment company. A Forbes billionaire. All of this describes...