Sun Bin joined the 200,000-strong Siheyuan trek and connected to a daily intelligence system, gaining complete knowledge of the Siheyuan's trivial affairs. But how did this make me a relative of the Jia Zhang family? And they're even going to marry Qin Huairu to me? What should I do? Waiting online, feeling quite anxious!
Transported into the world of a Siheyuan courtyard, all he wants is a quiet life—tending his crops, fishing by the lake, and drifting through the slow rhythm of the city's alleys, skirting the edges of human frailty.
To live simply... as just an ordinary man.
Grandpa - It’s hard to decide what to do next
The second uncle - eating as an official
Third uncle - budget carefully
Qin Huairu——has a pretty face
He Yuzhu - fighting and cooking
Lou Xiao'e - Can't Escape the Courtyard
As soon as Li Xuewu appeared, the uncle was in vain, and even Sha Zhu wanted to change with him.
A modern person travels through time to the courtyard world and becomes Yi Zhonghai's younger brother Yi Zhonghe, who does not exist in film and television dramas.
Moved into a courtyard house and started working in a steel rolling mill.
Let's see how the modern soul educates the Siheyuan bird
Turning a courtyard full of birds into a courtyard full of love
Cheng Zhiguo, set sail.
……
The neighborhood office sent a six-year-old orphan to the courtyard house, hoping that the people there would adopt her. However, everyone regarded the girl as a burden and a nuisance, and pushed the girl to Cheng Zhiguo.
Unexpectedly, the girl turned out to be a martyr's relative and received a large amount of compensation every month until she turned eighteen.
When the birds heard the news, they felt as if the sky had fallen.
Cheng Zhiguo also awakened the entry plundering system:
Plundering a great man's eighth-level work, causing him to lose his skills;
Plunder the fishing skills of Uncle San and make him fly empty-handed every day;
He robbed Sha Zhu of his title of God of War, causing him to be driven wild by Xu Damao;
Plundering Xu Damao's "First Blood Assassin"...
The courtyard began to become chaotic!
……
Anything produced by Cheng Zhiguo must be a masterpiece!
Continuing the previous light-hearted and funny routine, you are welcome to read it.
Transported back to that passionate era, I became a barefoot doctor.
Forty-nine cities and large courtyards, children and wives are on the hot bed.
Large pots, small pots, stir-fry, fry, stew and stew.
He Yu traveled through time and became He Yuzhu, from a cook in a factory canteen to the God of Cooking in Forty-Nine City.
He and his wife Wen Li have gone through ups and downs in the changing seasons for fifty years.
Times are tough for everyone, right? But I believe if I just tend to my little farm casually every day, I can definitely strike it rich!
Qin Huairu: "I need to borrow rice, oil, or flour – feeding three kids is just too hard!"
Wu Kui: "The exit's to your right. Don't let the door hit you on the way out!"
Second Elder: "Becoming an official is real success! What are you showing off with your few coins?"
Wu Kui: "Some people wish they had something to show off."
Third Elder: "You're so wealthy now, surely treating us to your wedding feast isn't too much to ask!"
Wu Kui: "Guests here to celebrate are welcome. Free-loaders can get lost. I'm no saint, and I'm certainly no savior. I mind my own business – got it?"
(System space) (Many women) (More daily) (No plots like grabbing houses at the beginning.) (Cao thief) (Take Qin and don't be sucked.) (Group portrait!)
The protagonist’s surname is Chen and his name is Jian’an, the Jian’an with the character of Jian’an.
Yi Zhonghai: I just want to enjoy my retirement, you hooked me into a black bass?
Liu Haizhong: Jian'an, do you think the second uncle has the qualities to be an official?
Xu Damao: How can I live without you, Moth? It hurts! It hurts so much.
Sha Zhu: A wife, children and a warm bed are what I wish for in my life.
Liu Minghui went back to 1957. In that era when material life was not very abundant, he successfully became a worker in a steel rolling mill and lived in a courtyard house by relying on the abundant space and materials.
It mainly tells the story of Liu Minghui's daily life in the steel rolling mill and the courtyard, with little violence.