The idea and the beginning are not bad. But there are some unpleasant moments: - the author is a racist, hates and calls for genocide of the Japanese. It is one thing to kill those who provoked or hostile units, but the hero indiscriminately simply did not leave any of the Japanese room to survive during the second major convergence of the districts. - miserable relations with the bulk of the population of the district, the same miserable intrigues between different districts. There were hints of a large variety of survivors from other worlds, but it just came to naught at one moment and only the Chinese and their relationships remained on the main stage. - cultivation just feels strange, it seems like cultivation, but it is very similar to the game progression of some MMO. No independent activity in terms of development is allowed here, everything is only through the system. - the system and everything derived from it seem interesting, but at some point everything written was reduced to new "dungeons", without paying any attention to the previously introduced mechanics. The same development of the territory, cultivation techniques were simply abandoned. The mechanics of inviting tamed animals to the "dungeons" and its limitations were left behind and no longer have any influence. The hero cheat initially played an important role, but like everything else, it is now mostly gathering dust behind the scenes.

Pretty average. At some point, the author omitted or simply forgot the initial settings and everything essentially turned into a carefree endless stream of stories from system users/members of a transborder group, although at the time of Chapter 709 there is a vanishingly small difference between them. The "system flow" itself did not live up to expectations, the maximum description of the creation and development of systems fits into one sentence like "I created a system with/without consciousness, here." The main system of the hero develops more in the direction of a global trading platform, and not a mother system/assembly line of systems, and it is unclear whether there are still restrictions on the number of created systems or whether the author forgot about them. The hero does not have much influence and remains behind the scenes most of the time, all attention is paid to different characters who received their "cheats" from the hero. Which is not so bad, but something else was expected.

At first, the abilities, concepts, development were pretty good. But the pace didn't slow down, the author kept adding new powers without much development of the old ones, all the characters are one-dayers, they don't have much meaning except to fill the number of characters. Let it be peculiar, but it is still readable and can be interesting occasionally. But the arc with the Main God Space ends and some crap begins. Hunting by the 7 most powerful Main Gods, okay, new opponents, new peaks, but the style of the writing and the fight has dropped so much that it just doesn't make sense. What is happening has turned into a mess and this has not changed even after more than 30-50 chapters. I do not want to read this anymore.

Firstly, I don't really like the constant line of humor. A few times, some individual moments - it's okay, but I don't want to constantly read jokes that are no longer funny. Secondly, the weak development of the world - first the author writes that the hero got to the beginning of the apocalypse, and then it turns out that in the game the apocalypse has already been going on for 10 years. And in general, the general system of power, in some moments is pleasant, but I didn't like it. Thirdly, the characters have their attractive features, but basically they are all just strange.

Too boring. The author put most of his efforts into "public opinion" and tournament arcs. Most of the text is just various comments from the surrounding no-names, which is really useless and mostly repeats in the cycle of "contempt-recognition-admiration", even in 500 chapters, although not as intensely as in the beginning. The tournaments here feel like the basis, the base of the whole work, and everything else feels like something secondary between tournaments. All other aspects are barely normal, but it is very noticeable that the author put much less effort and attention there. The author simply forgets some things, something changes in a dynamic mode and it turns out that there is no particularly clear system of worldbuilding and everything can be changed. In general, everything feels very loose, without any reliable support. This is especially felt with the dungeons, what should have become one of the constants of the new world turned into a floating value. The hero system is of the "do or die" type, although for an invincible hero it is only "do and become even stronger". It seems not bad, but the hero here is like a pawn who was given abilities, which he of course uses masterfully, but he can lose them in an instant. I also didn't like the hero's servility towards the country, "where the country points, there I will go", and also with complete contempt for all the inhabitants of alternative Japan, Korea and the USA, he has zero empathy for them. And in general, the hero has almost zero empathy for people and he feels like a bot programmed only to train and dominate.

Overall, it's a pleasant read. Of course, there are some boring and fanservicey moments, like adding and describing in detail all sorts of characters that don't have much of an impact here, although they are important characters in the original works, but that doesn't really affect the overall impression. I liked the hero, he's methodical, true to himself and hasn't been corrupted by power, as he says, "he has a pure heart." And the environment is just like him, the male characters appear very episodically and don't play a special role, although they are quite worthy, the female roles have accumulated quite a bit and in the main plot there are only a few important characters, the rest often remain behind the scenes. The claims about abstaining from the pleasures of life don't seem particularly valid to me, because the hero still remains a man and without any pleasures life seems gray. And isn't it better to move forward surrounded by people who unconditionally love you and support you along the way? The hero, of course, could have reached the same heights on his own after some time, but how many detours would he have had to make and how much more effort would he have had to put in if he had remained a lonely wanderer?

Some aspects seem to be laid out for the distant future, which is quite commendable, but for now it mostly feels like a mess and just a stream of consciousness. Many, as it seems to me, fundamental things are simply omitted for the sake of more action and this feels unpleasant, because the very moment when the reader understands the world shown here is occupied by vivid descriptions of unclear actions. Who is the hero, what position does he occupy, what does he do, how is he developing and what are his plans for the future, what is happening around him in general... Too much is unclear, too much is far-fetched.